This 28-second video gives a view of Florencia Escudero's studio, the site where she creates the fabric-based soft sculptures that comprise her November 2019 solo exhibition at Kristen Lorello. The video was made by filmmaker Matthew Kohn. The film begins with a few of Escudero from behind. She is seated at her desk, sewing a purple piece of fabric on her electric sewing machine. She is wearing a red worksuit. In the background we see a red cup of pens in different colors. The next view shows her standing in a corner of the studio. A large red sculpture made from a cut blanket hangs on the wall. It is larger than the artist. Escuder is seen fixing a sculptural appendage to the form. These appendages feature a printed image of an insect-looking form in purple and white bordered with black velvet. To the left of Escudero, a second sculpture hangs on the wall. It is made from a printed fabric of five leg-like forms. It is purple and turquoise and hangs from the wall by a silver chain. Next we see a close-up of Escudero sewing by hand a piece of a sculpture covered in black velvet fabric. A closer view shows Escudero's fingernails, painted clear and black. She is wearing a ring and a black wristwatch. We then see her cutting a black piece of the black velvet fabric, part of one of the appendage forms shown earlier in the film as part of the large blanket-like sculpture. She cuts the velvet with turquoise and silver scissors. A sewing pin cushion in the background is filled with yellow sewing pins. Next, the camera closes in on details of several of the sculptures. First we see a close view of the large blanket-like sculpture. It features a bear-like graphic form that appears to smile and insect-like legs in purple, cushioned by black velvet. The camera then pans across the hanging sculpture made of the repeated large purple leg motif. This sculpture includes green soft spike-like components. Finally, a close up of a separate sculpture 'Frog Licker' features a circular head with eyes, a nose, and visable sections of hand-stitching. We then see this sculpture set atop stool-like sculptures made of velvet and foam. They look squishy and hold smaller sculptures with eyes and a decorative print on top of them. Next, the camera shows us other tools around Escudero's studio. A close up view of rows of thread spools in bright colors arranged upright, stationed into holders. Next is a view of Escudero seated cross-legged on the floor, hand sewing a portion of sculpture in black velvet. Buckets are next to her. She threads a needle. In the background a closet holds other sculptures she has made in the past that hang from a rod. Various photographs and drawings of sculptures to be made are pasted on the wall behind her like a storyboard. Then, a close up of the pin cushion, a close up of one bucket that holds different types of scissors. She takes a pair of scissors out of the bucket and cuts a large piece of beige fabric. On the floor is a large foam sculpture that will become the interior of the final sculptural form. It looks like a pair of oversized sneakers. Finally, we see a close-up view of the sewing machine, as she sews a different piece of purple fabric.